She makes us look so good!
Thank you for all you do, Jocelyne. You have our vote!
Thank you for all you do, Jocelyne. You have our vote!
Hosted in partnership with the Oregon Shakespeare Festival
October 1-9, 2016 in Ashland, Oregon
The Consortium of Asian American Theaters & Artists (CAATA), dedicated to advancing the field of Asian American theater, announces the theme and program for the 2016 National Asian American Theater Conference and Festival (ConFest) to be held October 1-9 in Ashland, Oregon.
This year’s theme, Seismic Shifts: Leading Change in the American Theater, will engage attendees and local communities in passionate dialogues about social injustice and inequity in American culture. Seattle Asian American theatre artists will play prominent roles as performers, producers and panelists, including Kathy Hsieh (actress and Executive Director, SIS Productions), Maggie Lee (playwright, Artistic Director, Pork Filled Productions) and Roger Tang (Executive Director, Pork Filled Productions and CAATA Board Member). Pork Filled Productions will be leading a sizable group of 10+ to Ashland, thanks to a grant from the Morgan Fund.
Tim Dang, Artistic Director Emeritus of East West Players and CAATA Board Member chairing the ConFest steering committee said, “CAATA has rallied Asian American theater artists and professionals to dive headfirst into the deep, challenging conversations that surround what it means to be engaged in American theater as a person of color. The 2016 ConFest will continue this vital work in the field inviting artists and arts leaders from other underrepresented groups, higher education, and larger institutions in building a more inclusive and accessible American theater.”
The 2016 ConFest will be hosted at the Oregon Shakespeare Festival, and represents a groundbreaking historic partnership with one of America’s largest theater companies. “OSF has a passionate commitment to be inclusive of the many voices that make up the American theater,” said Oregon Shakespeare Festival Artistic Director Bill Rauch. “We are so honored and energized to be hosting the Fifth National Asian American Theatre Conference and Festival. It’s thrilling to know that our productions of Qui Nguyen’s Vietgone and director Desdemona Chiang’s The Winter’s Tale partially set in China, along with our eight other plays in repertory, will be adding to the discussion.”
Over the course of nine days, the 2016 ConFest will bring contemporary theater productions, panel discussions, plenary sessions, new play readings, workshops and special events to Ashland, Oregon. ConFest provides a vital space for Asian American theatre practitioners and allies from across the country to connect, to build relationships, and to showcase the vibrant and necessary contemporary creative work and academic research being developed in this community.
This year’s ConFest is the fifth such national convening since the group’s first gathering in Los Angeles in 2006 and the first time the event will take place in Ashland in partnership with the Oregon Shakespeare Festival.
The Conference, held for the first three days of ConFest, will include several notable plenary speakers and breakout sessions addressing topics including casting and union representation of Asian American performers, ending yellowface, immigrant and refugee community-based theater, expanding the classical canon through international collaborations, and building the next generation of professional leadership in the field. Pre-conferences will include a gathering of Western & Central Asian American theatre leaders and allies, as well as a “Beyond Orientalism” cohort.
The Festival, taking place throughout the nine days of ConFest, will feature six CAATA-presented fully-staged productions, five new play readings, and free community programming as part of Oregon Shakespeare Festival’s Green Show series.
The six CAATA-presented productions include:
HOT ASIAN EVERYTHING: A SEISMIC EXTRAVAGANZA
Presented by CAATA
An evening of seismic proportions featuring steampunk cowboys, an exotic oriental murder mystery, an epic Cambodian ballet, and a ride through the lives of taxi drivers across the globe — all hosted by the illustrious Emi Macadangdang and Jasmine! Kick off ConFest 2016 in style with a collection of excerpts, special performances, and guest appearances by some of our closest CAATA friends, old and new. Lineup includes excerpts from:
The Tumbleweed Zephyr, Pork Filled Productions
Han Ong’s Chair and a Long Table, Ma-Yi Theater Company
Charles Francis Chan, Jr.’s Exotic Oriental Murder Mystery, NAATCO
Global Taxi Driver, TeAda Productions
Cambodian Dream Ballet from Cambodian Agonites, Pan Asian Rep
Tot, the Untold, Yet Spectacular Story of (a Filipino) Hulk Hogan, 2G & Mu Performing Arts
Performance by Golda Supernova, Campo Santo and Youth Speaks
And a forthcoming selection from East West Players
ELEVEN REFLECTIONS ON SEPTEMBER
Written, Directed & Performed by Andrea Assaf
Eylem Basaldi, Violinist; April Centrone, Percussionist; Lubana Al Quntar, Vocalist
Eleven Reflections on September is a spoken word and multimedia performance on the Arab American experience, Wars on/of Terror, and “the constant, quiet rain of death amidst beauty” that each autumn brings in a post-9/11 world. The poems, accompanied by an all-women music ensemble and immersive media design, progress from lyrical to abstract and broken as they span the fall of the Twin Towers, the on-going wars in Iraq and Afghanistan, the beginning of Arab Spring, and the revolutions and conflicts now sweeping through Western Asia. Eleven Reflections on September was originally commissioned by Pangea World Theater’s Alternate Visions Festival, with the generous support of the Princess Grace Foundation-USA; the New York premiere was produced by La MaMa.
EMPIRE OF THE SON
Written and performed by Tetsuro Shigematsu
Directed by Richard Wolfe
Vancouver Asian Canadian Theatre
Empire of the Son is the story of two generations of broadcasters, and the radio silence between them. As father and son, Akira and Tetsuro Shigematsu shared the same profession– each of them communicating with millions of their listeners, but never with each other. Based on a series of audio interviews with his father, former CBC broadcaster Tetsuro Shigematsu combines cinematography with the raw immediacy of live performance to magically conjure entire worlds: from the ashes of Hiroshima to present-day Vancouver, marshaling the tiniest of objects to focus on life’s biggest questions.
Written and Performed by Minita Gandhi
Directed by Heidi Stillman
The life of a young woman is changed forever on a trip to India when she unearths family secrets, encounters a prophet, and discovers her voice within a culture of silence. In this dark comedy inspired by true events, Minita Gandhi inhabits over twenty characters with great depth and charisma to guide us on a journey through time and place where the familiar and the foreign swap roles. Muthaland is a call to action to inspire love, laughter, hope, and introspection by bridges cultural and generational gaps.
THE WONG STREET JOURNAL
Written and performed by Kristina Wong
Directed by Emily Mendelsohn
Part plushy TED lecture, part amateur hip-hop extravaganza, and part travelogue, The Wong Street Journal breaks down the complexities of global poverty, privilege and economic theory using uneasy-to-read charts, live hashtag wars, and riveting slideshows from post-conflict Northern Uganda. In this new solo theater work, Kristina Wong tells the story of how she – a not-so-white savior – became a hip hop star in Northern Uganda. Wong combines self-skewering personal narrative with a hilarious interrogation of America’s impact on the rest of the world, set against a hand-sewn, felt background of the New York Stock Exchange.
Written by Jessica Huang & Directed by Randy Reyes
Mu Performing Arts
In Purple Cloud, three generations of Huangs deal with the many facets of their multiracial identities as they embark on a mythical journey from China to Minneapolis and back again — accompanied by four Jade pieces along the way. Through three intertwining stories, the Huang family navigates through the messy and beautiful business of acculturation: Grandpa Lee immigrates from Shanghai to America during World War II; his son Orville deals with his confusion as a first generation Asian American, taught to pass as white and unsure of his own blood; and his granddaughter fights for her Chinese-ness through a tattoo of a deer and the search for her true name.
About the Coalition of Asian American Theaters & Artists (CAATA)
CAATA envisions a strong and sustainable Asian American theater community that is an integral presence in national culture—evocative of our past, declarative of our present, and innovative towards our future. Our mission is to advance the field of Asian American theater through a national network of organizations and artists. We collaborate to inspire learning and sharing of knowledge, and resources to promote a healthy, sustainable artistic ecology. As a collective of Asian American theater leaders and artists, CAATA brings together local and regional leaders to work nationally toward our shared values of social justice, artistic diversity, cultural equity and inclusion. CAATA holds national conferences and festivals biennially in different parts of the country, reaching as wide a range of Asian American populations and communities as possible.
About Oregon Shakespeare Festival
Since its founding by Angus Bowmer in 1935, the Tony Award-winning Oregon Shakespeare Festival has grown from a three-day festival of two plays to a major theatre arts organization that presents a nine-month season of 11 plays that represent a mix of Shakespeare’s canon, classics, musicals, and new works. Inspired by Shakespeare’s work and the cultural richness of the United States, OSF seeks to reveal our collective humanity through illuminating interpretations of new and classic plays, deepened by the kaleidoscope of rotating repertory.
The 2016 ConFest will be hosted in partnership with CultureFest, Oregon Shakespeare Festival’s celebration of multi-ethnic heritage and diverse theatrical work which includes play readings by established and emerging playwrights, outdoor perforamances on the Green Show’s courtyard stage, and other bilingual and culturally-specific events. CultureFest will take place from October 6-9.
What: 2016 National Asian American Theater Conference and Festival
When: October 1-9, 2016. Earlybird Passes on sale beginning August 1.
Where: Hosted in partnership with Oregon Shakespeare Festival, Ashland, Oregon
For additional information about the 2016 ConFest, including artist and speaker bios and ConFest passes, please visit www.caata.net.
Media Contact: Julia Malta-Weingard, firstname.lastname@example.org
Pork Filled Productions is so happy to be back at Theatre Off Jackson in Seattle’s historic Chinatown-International District. It’s a fun neighborhood to visit and very easy to get to by several public transit options. There’s also plenty of parking . . . if you know where to find it! Here’s a handy cheat sheet to help you get to the show and make your visit to the Chinatown-International District as stress-free as possible.
Pork Filled Productions is pleased to announce the addition of a special Preview performance of A Hand of Talons on Wednesday, April 27 at 8 pm (a week from now!) Join us at the Theatre Off Jackson and be among the very first audiences to get a sneak peek at the latest chapter in the the New Providence steampunk saga . Preview tickets are Pay-What-You-Can both online and at the door, so just name your own price and grab yours today at BrownPaperTickets!
Thanks to our generous Kickstarter donors, Pork Filled Productions is excited to add Sunday, May 15 as another low cost performance for its world premiere run of A Hand of Talons, running at the Theatre Off Jackson (409 7th Ave. S., Seattle), April 29 to May 21, 2016.
“We blew past our fundraising goals and expectations,” says Roger Tang, Executive Director for PFP. “Since we achieved our added $4,000 stretch goal, we are able to make all of the tickets for our Sunday, May 15 matinee at 2 pm only $10, as a part of our goal to make theatre accessible to everyone.”
This special $10 Matinee on May 15 adds to the variety of budget options already available to our audiences, which include Thrifty Thursdays ($12 on May 5, 12, and 19) and two Industry/PWYC Nights (Pay What You Can on May 2 and 9). Our regular ticket prices are also fairly affordable at $18 General and $15 Student/Senior at the door ($15/$12 in advance).
For generations, the Yao clan has ruled the criminal underworld in New Providence with an iron fist. But as the family empire threatens to crumble, Wilhelmina Yao must do whatever it takes to win at in a high-stakes game of power and betrayal. Descend into the hazy underground gambling den of the Fortuna Mews to explore the dark world of steampunk noir in this thrilling third installment of the New Providence series, presented in association with the Theatre Off Jackson.
Tickets can be purchased at Brown Paper Tickets, at http://www.brownpapertickets.com/event/web/2490244. Running time is two hours with one intermission. A Hand of Talons is rated PG-13 for intense situations and stage violence. For more info, email PFP at email@example.com.
Spinning off from the long running sketch comedy group the Pork Filled Player, Pork Filled Productions stretches the boundaries of Asian American theatre. Reflecting the imagination and creativity of modern Asian American artists, Pork Filled Products reworks traditional Asian American theatre to embrace the full spectrum of genres, from steampunk (The Clockwork Professor and The Tumbleweed Zephyr) to supernatural comedies (Big Hunk o’ Burnin’ Love by Prince Gomolvilas), to mistaken race farces (Yellow Face by David Henry Hwang) to crime family con games (Fast Company by Carla Ching) and yes, even Kung-fu zombie Shakespeare (Living Dead in Denmark by Qui Nguyen).
A Hand of Talons is supported by 4Culture and Seattle’s office of Arts & Culture and is an Associated Project of Shunpike. Shunpike is the 501(c)(3) non-profit agency that provides independent arts groups in Washington with the services, resources and opportunities they need to forge their own paths to sustainable success.
We are so excited to announce that A Hand of Talons has achieved our initial fundraising goal! Thanks to the generous support of our 45 backers, we have currently raised an incredible $3,530! We are so grateful to our fans for believing in our show and helping us to create this amazing steampunk universe on stage!
But we still have 4 days to go, so we want to push ourselves to make the very most of this Kickstarter campaign. We are setting a new stretch goal of $4,000 to help make attending the show more accessible. While we already offer several nights with discounted prices, including $12 tickets on all Thrifty Thursdays and two pay-what-you-can Monday Industry Nights on May 2 and May 9, we still want to push ourselves to do whatever we can to make sure that cost is never an issue for folks who want to see our play.
If we can achieve our new $4,000 stretch goal, we will be able to discount all of the tickets to our Sunday matinee on May 15 to a mere $10! Our matinee time slot has proven very popular for those audience members who often don’t have the means or ability to attend events in the evenings, so your extra donation would really give those patrons a helping hand to get out and go see some theater.
Our campaign ends on Wednesday, April 13 at 2pm! We still have plenty of fabulous Backer Rewards to share, so please spread the word and let’s keep our luck rolling! And be sure to get all the latest news on the show on Facebook, Twitter, or www.porkfilled.com.