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https://cpasf.org/
SEATTL E (February 8, 2021) – The Seattle Asian American Film Festival (SAAFF) proudly presents its 9th annual festival March 4–14, 2021 entirely online in partnership with the Northwest Film Forum.
PFP is Community Partner for Curtain Up! available March 4. CURTAIN UP! follows elementary school kids in New York’s Chinatown as they prepare for the musical production of “Frozen Kids” and begin to discover their identities. Behind the scenes, they face Asian stereotypes, their families’ expectations, and uncertainties post-graduation. But it is through rehearsing for this American favorite that these kids grapple with their Chinese roots. Will they have to let something go? (Content Warning: Identity-Based Prejudice)
The rest of this year’s program will showcase some of the best in recent independent cinema by and about Asian Americans and Pacific Islanders. The 123 films in SAAFF’s 2021 program demonstrate the talent of both veteran and up-and-coming filmmakers and the richness and diversity of AAPI storytelling. This year, SAAFF will offer 9 outstanding feature-length films and 15 exciting shorts programs, including a drive-in screening of martial arts action comedy THE PAPER TIGERS on March 6.
The 11-day festival include several limited time screenings:
● THE PAPER TIGERS (Centerpiece Narrative) makes its Pacific Northwest on Saturday, March 6 at 7:00PM PST at the Burien Drive-In (610 SW 153rd Street, Burien, WA 98166). It also screens concurrently online. Three childhood kung fu prodigies have grown into washed-up, middle-aged men who are now one kick away from pulling their hamstrings. But when their master is murdered, they must juggle their dead-end jobs and overcome old grudges to avenge his death.
● FAR EAST DEEP SOUTH and GOODBYE MOTHER will premiere in Seattle and will only be available March 8-14, 2021. FAR EAST DEEP SOUTH is the Centerpiece Documentary that follows one Chinese-American family’s complex ancestral roots to the historically segregated South. GOODBYE MOTHER is a family drama about a young man’s trip home to Vietnam after living overseas in the United States with his Vietnamese American boyfriend.
Other festival highlights include some of our shorts programs:
● The No-Good Very Bad Terrible Longest Worst Year — 2020 COVID Shorts opening night spotlight program reflects on the pandemic’s varied and wide-reaching impacts on communities across North America, as well as the creativity that blossomed during lockdown.
● The Việt Kiều: Vietnamese American Shorts , Looking Past Paradise: Shorts From Hawai’i , Haru Haru: Day by Day , and Southeast Asian Showcase shorts programs each speak to the unique experiences of their communities. Việt Kiều: Vietnamese American
Shorts includes NO CRYING AT THE DINNER TABLE, a short film that won the 2020 SXSW “Short Documentary Jury Award” and is a 2021 Academy Awards contender in the “Best Short Documentary” category. Looking Past Paradise: Films From Hawai’i includes the 2021 Sundance Film Festival selection THIS IS THE WAY WE RISE, as well as the 2021 Academy Awards short film contenders MOLOKA’I BOUND and KAPAEMAHU.
● The Grief Like No Other: Holding Space for Healing from Miscarriage, Stillbirth, & Infant Loss shorts program brings attention to the rarely discussed, yet widely experienced trauma of pregnancy complications. We invite you to join this free program and actively hold space with us during the live panel discussion on March 11 at 1:00PM PST with moderator Annie Kuo (RESOLVE Ambassador and Family-Building Advocate) and panelists Carol Gavhane (Family-Building Advocate and Owner, Asha Blooms), Haolu Wang (Director, THE PREGNANT GROUND), Sarah Surh (Writer/Actress, SONGBIRD), and Steven Nguyen (Director, BLAST BURN).
● The Closing Night: Collective Memory, Community Spaces shorts program will be followed by a live panel discussion on March 14 at 6:00PM PST. From the oldest Sikh temple in North America to the closure of an acclaimed New York restaurant, this program explores the histories, memories, and communities in cherished Asian American spaces.
Ticket Prices:
● General Tickets: $10 | $8 (Discounted) | $20 (Household)
● Festival Pass: $120 | Early Bird $100
● Shorts Pass: $80 | Early Bird $60
● Festival 6-Pack: $50
Other ticketing information:
● Early bird sales for festival passes will be available February 9–15, 2021.
● All ticketing will be available for purchase starting February 16, 2021.
● The Grief Like No Other: Holding Space for Healing from Miscarriage, Stillbirth, & Infant
Loss program and live panel is free.
● Tickets for CURTAIN UP! and the shorts programs SAAFF 4 Kidz and Lingering are
pay-what-you-can.
● Viewers will be able to start watching at any time during the festival dates (12:01AM PST
March 4, 2021 to 11:59PM PST March 14, 2021) after a purchase is made, and will have
48 hours to finish watching once they click play, unless otherwise listed.
Visit bit.ly/saaff2021 to purchase passes, browse the virtual catalog, and buy tickets. Most screenings will be followed by a pre-recorded Q&A with director(s) and/or cast and crew. For film screeners, interview requests, and press passes, contact kristina@seattleaaff.org .
About SAAFF
SAAFF showcases works by Northwest Asian American filmmakers, as well as films from across North America dealing with Asian American and Pacific Islander people, issues, and themes. SAAFF is the only film festival in Seattle to provide a space for Asian American voices, perspectives, and histories. For more information about SAAFF, visit seattleaaff.org .
If you haven’t heard, Seattle Theatre Leaders (from small to large) have been meeting to tackle problems of racism in theatre.
Pork Filled has been in the midst of these discussions from the beginning, keeping our hands in as a POC and Asian American centering organization. The impetus is to create a working theatre ecosystem that centers the well being of all, and Head Hawg Roger Tang is making sure our voices are being heard.
Keep tuned for details and updates! (MOST particularly about Town Halls so folks everywhere can participate and for TIME TABLES of what’s coming next).
Monday, December 7, 2020 (New York, NY): Consortium of Asian American Theaters and Artists (CAATA) announces its roster of speakers and performers for the fifth episode of its ongoing monthly ConFest Virtual Series, “From the Source, Seeds for a Myriad of Worlds,” on Monday, December 14, 2020 at 1PM HST, 2PM AKST, 3PM PST, 4PM MST, 5PM CST, and 6PM EST. The episode will be hosted by Roger Tang (Producer, Pork Filled Productions, Seattle; Board Member, CAATA).
“From the Source, Seeds of Myriad Worlds” will celebrate the rich tapestry of Asian American theatre throughout the country with presentations from Asian American Theatre Artists of Boston (Boston, MA), Bindlestiff Studio (San Francisco, CA), East West Players (Los Angeles, CA), Ma-Yi Theater Company (New York, NY), Pork Filled Productions (Seattle, WA), SIS Productions (Seattle, WA), and Theater Mu (Minneapolis, MN). The episode will be broadcast on Howlround and on CAATA’s Facebook page
The online event include archival footage from Bindlestiff Studio’s 30th Anniversary Gala and a short sketch comedy play from the show “HOEVID-19” by the all Asian American womxn comedy troupe Granny Cart Gangstas; excerpts from Pork Filled Productions’ 2015 production of The Tumbleweed Zephyr by Maggie Lee, as well as clips from their sketch comedy performances; and a visual history celebrating SIS Productions’ 20th year as a female-run Asian American theatre company. This episode will also feature presentations from Asian American Theatre Artists of Boston, East West Players, Theater Mu, and Ma-Yi Theater Company that focus on their histories and achievements as Asian American theatres as well as their transition into the digital space during COVID-19.
The CAATA December Virtual ConFest is a showcase featuring the richness of Asian American theatre across the country.
“From the Source, Seeds for a Myriad of Worlds,” is the fourth episode of CAATA ConFest’s Virtual Series exploring the theme of the upcoming 7th Asian American Theater Festival & Conference (ConFest) “Kuʻu ʻĀina, Kuʻu Piko, Kuʻu Kahua – Return to the Source” in Honolulu, Hawaii. The in-person ConFest will center the voices of Native Hawaiian and Pacific Islander theater practitioners, and feature the thriving theater community of Hawaiʻi, where Asian American, Native Hawaiian, and Pacific Islander faces on stage are the norm, not the exception.
“Ku‘u ‘Āina, Ku‘u Piko, Ku‘u Kahua – Return to the Source” is a call to all theatre artists to reconnect with their foundations and their sources of knowledge: their land, their family, their center. The online series and its presentation of the wide diaspora of Pan Asian/Pacific Islander/MENA/Native/Indigenous American stories will be a vehicle through which both the audience and artists can ground themselves in their cultural knowledge and the many identities that we bring to our communities.
“Future episodes of the series will feature artists from across the country who represent some of the most groundbreaking work in American theatre, and includes stories from across the breadth of the Pan Asian/Pacific Islander/MENA/Native/Indigenous American diaspora, including Hawaii, Egypt, Vietnam, and more,” said ConFest Co-Chairs Leilani Chan (Founding Artistic Director, TeAda Productions) and Tammy Haili‘ōpua Baker (Associate Professor, Department of Theatre and Dance, University of Hawaii at Mānoa).
They added, “This series is not meant to be a replacement for the conference and festival, but is an offering to begin discussions around artists, topics and themes proposed by the field that we hope will culminate in celebration when we are able to gather in person again next year. Our goal is to also continue dialogue with other BIPOC networks of color and connect artists with current BIPOC movements.”
The ConFest Virtual Series is being produced in partnership with HowlRound Theatre Commons in Boston, MA, a nonprofit organization that operates as part of Emerson Collegeʻs Office of the Arts. HowlRound provides a free and open platform for theatre-makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. The series will be presented on HowlRound TV, HowlRoundʻs global, commons-based peer produced, open access live streaming and video archive project.
Maximiliano Urruzmendi-Mele will be the series Technical Director, and CAATA staff member Ariel Estrada will be the series Line Producer. A full schedule of broadcast dates for the ConFest Virtual Series can be found on CAATAʻs website at https://caata.net/monthly-confest-virtual-series/.
Tickets are now available for Unleashed 2020: New Pulp Stories for the 21st Century. PFP’s staged reading festival features new scripts by playwrights of color, exploring the genres of horror, science fiction, fantasy and mythology.
All tickets are available at https://pork-filled.ticketleap.com. All shows begin at 7 pm and will be streamed to a YouTube address provided to ticket buyers.
Pork Filled Productions is using a Name-Your-Price structure to work with our audience and what they can afford to give. Thank you for supporting local theatre and local theatre artists.
The lineup begins Tuesday, November 10, with I Thought I Was Safe, by Patrick Zhang, directed by Anna Ly, with dramaturgy by Daniel Rector. An amalgamation of the noir and horror genres, I Thought I Was Safe explores multigenerational immigrant trauma as it converges with decaying urban America. Tickets for this show are available at https://pork-filled.ticketleap.com/i-thought-i-was-safe/.
Next, on Wednesday, November 11, will be a night of shorts. The Golden Disc, by Greg Lam, directed by Gecia Leal Pardo, dramaturgy by Lydia K. Valentine, is about two friends who have their day interrupted by the sudden arrival of an alien object. For the Living by Chie-Hoon Lee, directed by Zenaida Rose Smith, dramaturgy by Lydia K. Valentine, introduces us to a world of scientific reincarnation, and asks profound questions of where one life ends, and another begins. Perennial PFP favorite Maggie Lee rounds out the night with a new version of her short The Sight. They always knew they must lose their sight to become true Oracles of the Goddess. But now that the day of Initiation has arrived, two young novice seers struggle with their choice to live in darkness in order to see the light within.. Tickets for these shows are at https://pork-filled.ticketleap.com/a-night-of-shorts/.
On Thursday, November 12, PFP presents 100 Hungry Ghosts, by Jesse Jou, directed by Nabra Nelson, dramaturgy by Gavin Reub. Graham lives on the most haunted road in America. After multiple tragedies upend his life, he begins to see spirits, as his neighbors’ own painful histories surface. Will he learn to let go of grief or will he meet a grisly end at the hands of one hundred hungry ghosts? Tickets are at https://pork-filled.ticketleap.com/100-hungry-ghosts/
Friday, November 13 sees miku and the gods, by Julia Izumi, directed by Kiefer Harrington, dramaturgy by Stephanie Kim-Bryan. Miku wants to be a god. Ephraim wants to be an Olympian. Grandma wants to remember. And Shara wants people to just include him in the conversation, you know? miku, and the gods is an epic and small adventure that braids friendship, death, and power beyond what one could ever desire. Tickets are at https://pork-filled.ticketleap.com/miku-and-the-gods/
Finally, the festival caps off with a co-production with The Hansberry Project: Mustard Seeds, by Michelle Tyrene Johnson, directed by Valerie Curtis-Newton, with dramaturgy by Martine Kei Green-Rogers. On the banks of the Missouri River, a group of researchers gather at a former site of the Underground Railroad where slaves fought for their lives and swam for freedom. Under a full moon, old friends and colleagues are at each other’s throats as they struggle to reconcile their past. Nearby, spirits watch, as spirits do, trying to make sense of these mortals and find a way out. Tickets at https://pork-filled.ticketleap.com/mustard-seeds/.
Festival passes for all shows are available at https://pork-filled.ticketleap.com/unleashed-2020/
Graphic design by Kayli Putaportiwon
The oldest Asian American theatre group in the Pacific Northwest, Pork Filled Productions centers Asian American and POC artists to imagine fantastical, inclusive and FUN universes. Through the genres of science fiction, noir, fantasy, steampunk, horror, and more, we envision a bright universe informed by diverse experiences and perspectives, populated by larger than life characters, where everyone’s story can be told. PFP’s season is supported by 4Culture and the Seattle Office of Arts & Culture, Unleashed receives support from the Hansberry Project.
Pork Filled Productions is fiscally sponsored by Shunpike, the 501(c)(3) non-profit agency that provides independent arts groups in Washington with the services, resources and opportunities they need to forge their own paths to sustainable success.
Pork Filled Productions has set directors and dates for its third Unleashed festival, a celebration of new plays by POC playwrights. These scripts push past the bounds of conventional theatre to tell exciting new BIPOC-led stories in genres like horror, science fiction, fantasy and beyond.
Unleashed: New Pulp Stories for the 21st Century will take place November 10 through 14 as an online festival. Directors include Anny Ly, Grecia Leal Pardo, Zenaida Rose Smith, Nabra Nelson, Kiefer Harrington and Valerie Curtis Newton. Shows are at 7 pm.
The lineup begins Tuesday, November 10, with I Thought I Was Safe, by Patrick Zhang, directed by Anna Ly, with dramaturgy by Daniel Rector. An amalgamation of the noir and horror genres, I Thought I Was Safe explores multigenerational immigrant trauma as it converges with decaying urban America.
Next, on Wednesday, November 11, will be a night of shorts. The Golden Disc, by Greg Lam, directed by Gecia Leal Pardo, dramaturgy by Lydia K Valentine, is about two friends who have their day interrupted by the sudden arrival of an alien object. For the Living by Chie-Hoon Lee, directed by Zenaida Rose Smith, dramaturgy by Lydia K. Valentine, introduces us to a world of scientific reincarnation, and asks profound questions of where one life ends, and another begins. Maggie Lee rounds out the night with The Sight. They always knew they must lose their sight to become true Oracles of the Goddess. But now that the day of Initiation has arrived, two young novice seers struggle with their choice to live in darkness in order to see the light within.
On Thursday, November 12, PFP presents 100 Hungry Ghosts, by Jesse Jou, directed by Nabra Nelson, dramaturgy by Gavin Reub. Graham lives on the most haunted road in America. After multiple tragedies upend his life, he begins to see spirits, as his neighbors’ own painful histories surface. Will he learn to let go of grief or will he meet a grisly end at the hands of one hundred hungry ghosts?
Friday, November 13 sees miku and the gods, by Julia Izumi, directed by Kiefer Harrington, dramaturgy by Stephanie Kim-Bryan. Miku wants to be a god. Ephraim wants to be an Olympian. Grandma wants to remember. And Shara wants people to just include him in the conversation, you know? miku, and the gods is an epic and small adventure that braids friendship, death, and power beyond what one could ever desire.
Finally, the festival caps off with a co-production with The Hansberry Project: Mustard Seeds, by Michelle Tyrene Johnson, directed by Valerie Curtis-Newton, with dramaturgy by Martine Kei Green-Rogers. On the banks of the Missouri River, a group of researchers gather at a former site of the Underground Railroad where slaves fought for their lives and swam for freedom. Under a full moon, old friends and colleagues are at each other’s throats as they struggle to reconcile their past. Nearby, spirits watch, as spirits do, trying to make sense of these mortals and find a way out.
A seventh show, CJ: An ASpanglish Play, by Mercy Floresislas, directed by Ana Maria Campoy and dramaturgy by Melanie Queponds, is being prepared for a special presentation in 2021.
Anna Ly is a Seattle-based director and a graduate of WWU. The current Directing Associate for Macha, she has also worked locally with PFP, REBATEnsemble, Mount Baker Repertory Theatre, Village Theatre KIDSTAGE, Evergreen Middle School and Foundry10. She is also a member of the 2018 Directors Lab at Lincoln Center Theater.
Grecia Leal Pardo graduated from the University of Washington in Drama and Classics in 2019. Previously, Grecia has directed Aesop’s Fables: a Devised Piece and The Penelopiad through UW’s Undergraduate Theatre Society. Grecias is also a stage manager, who’s gotten to work with Pratidhwani, eSe Teatro, and Off-Road Shakespeare.
Zenaida Rose Smith is Producing Director for MAP Theatre, Asst Production Manager & Casting Associate for Book-It Repertory, a freelance actor and a director. Directing credits: co-produced workshop of The Way Back; In the Grey City (Asst), Young Playwright’s Festival (Schmeater); selections of Spoon River Anthology (North Seattle College).
Nabra Nelson is a theater creator from Egypt, Nubia, and California. She is also the Director of Arts Engagement at Seattle Rep. Directing credits include: BLISS (or Emily Post is Dead!) (Renaissance Theaterworks), 26 Miles (UW-Milwaukee), Rep Lab (Milwaukee Repertory Theater), Exile From The Land Of Gold (Tessellate Festival).
Kiefer Harrington (he/him) is excited to be back with PFP! Last time he was here, Kiefer got to direct the virtual reading of She Devil of the China Seas. Kiefer was also involved with UNLEASHED 2019, working with Kendall Uyeji on his play Old & New. Other credits include: Hitchhiker (By the Seat of Your Theatre Company), Snow White (Assistant Director, Seattle Children’s Theatre).
Currently the Head of Directing at the University of Washington School of Drama, Valerie Curtis Newton serves as the Founding Artistic Director for The Hansberry Project, a professional African American theatre lab. She has worked with professional theatres across the country including: The Guthrie Theatre, Denver Center for the Performing Arts, Seattle Rep, Playmakers Repertory Company, Actors’ Theatre of Louisville, Alabama Shakespeare Festival, Intiman Theatre, Seattle Children’s Theatre, The Mark Taper Forum, New York Theatre Workshop, and Southern Repertory Theatre among others.
Since 2006, The Hansberry Project is a professional black theatre company dedicated to the artistic exploration of African American life, history and culture. From initial sketches to fully-realized productions, the Hansberry Project promotes and supports black theatre artists of diverse interests and disciples, speaking on a range of themes and working in a variety of styles.
The oldest Asian American theatre group in the Pacific Northwest, Pork Filled Productions centers Asian American and POC artists to imagine fantastical, inclusive and FUN universes. Through the genres of science fiction, noir, fantasy, steampunk, horror, and more, we envision a bright universe informed by diverse experiences and perspectives, populated by larger than life characters, where everyone’s story can be told. PFP’s season is supported by 4Culture and the Seattle Office of Arts & Culture, Unleashed receives support from the Hansberry Project.
Pork Filled Productions is fiscally sponsored by Shunpike, the 501(c)(3) non-profit agency that provides independent arts groups in Washington with the services, resources and opportunities they need to forge their own paths to sustainable success.
For generations, the Yao clan has ruled the criminal underworld in New Providence with an iron fist. But as the family empire threatens to crumble, Wilhelmina Yao must do whatever it takes to win at in a high-stakes game of power and betrayal. Descend into the hazy underground gambling den of the Fortuna Mews to explore the dark world of steampunk noir in this thrilling third installment of the New Providence series.Mother of Doom! The Tumbleweed Zephyr is back and it’s roaring down the tracks!
Join us for this special presentation of the second New Providence steampunk play, September 4, Friday, 7 pm PDT! It’s going to be a Live Video presentation on the PFP Facebook page and the Northwest Arts Streaming Hub Facebook page and YouTube channel! Join us and author Maggie Lee and Director Amy Poisson for this special event!
Two brothers, Atticus and Kai, climb aboard the Tumbleweed Zephyr, a transcontinental train headed from New Providence for the wilds of the Western Territories. But what starts as a simple journey by rail soon veers off-track, with airship bandits, twists of fate, wayward sparks of romance and the lonely call of a train whistle echoing across the clear desert sky.
Great Galloping Thunderturtles! It’s coming back! They’re all coming back!
In conjunction with the Northwest Arts Streaming Hub and the Theatre Off Jackson, PFP is pleased to present a special live-streaming of our famed New Providence steampunk trilogy!
It starts with an encore presentation of The Clockwork Professor, Friday, August 21, at 7 pm, hosted by PFP and the Theatre Off Jackson. And the rest of the trilogy (The Tumbleweed Zephyr and A Hand of Talons) will be hot on its heels on September 4 and 18!
This initial presentation features an intro from the PFP and TOJ crew and a few words from playwright Maggie Lee and director Amy Poisson. This will be simulcast free of charge on the PFP and NASH’s Facebook pages (though donations are always welcome!)
So doff your goggles, unwind your gear stems and break out your favorite confectionary as we revisit New Providence and Professor Pemberton for the first time since 2013!